7 Tips to Get Back to Guitar Playing

We all have our reasons to pick up our first instrument (In most cases it is to impress chicks!!) and we also have reasons to drop it or rather, I should say excuses to drop it. If you are reading this article, it probably means that it's been a while since you've touched a guitar. Why else would you be here??
Let's keep it plain and simple, you want to get back to playing and here are 7 ways that can help your recovery:
1. Listen to some new bands:
Led Zeppelin were great, they will always be legends.. In fact that is exactly what they are because that is what happens to legends, their time passes and gets conquered by others. I am not saying anything against 'The Zepps' cause I know that would cause immediate closure of this article but what I am trying to say is, try some new bands. You would be surprised with the talent out there right now.
2. Fix your guitar:
Nothing like taking that old guitar from the addick or under the bed or wherever you had thrown it last and giving it a nice little fix. Get some new strings, fix the intonation, straighten those bent necks and this should be your first step towards recovery.
3. Learn a new technique:
Before you dropped the instrument, you found it impossible to do that 8 finger tap that Van Halen made look easy? Then why not try it again, once you get your groove back and get enough stretching exercises
4. Try some new warm up exercises:
Those 1-2-3-4 exercises were great, but there are a lot of new ideas out there on the net, try it out. A fresh start often involves going back to your basics.
5. Stretch yourself:
Stretch yourself to a limit you could not reach earlier. If you could alternate pick 4/4 @ 90 bpm, why not try 120 bpm or a 8/4. Keep stretching yourself, the worst thing that could happen is you would get back to your old self.
6. Show off:
It's not the 90s anymore, we got YouTube! and showing off your re-invented talent just got easier, so go ahead and upload a video of you shredding away and share it with your friends, who knows it might even go viral like that kid who played cannon.
7. Never Say 'Die':
Getting back after a few years is never easy but give it your best and remember the commitment you gave to the instrument when you first started. Spend some hours with the guitar and ensure that you keep the fire going
I hope this inspires at least one person to pick up the axe, one more time.
The Author is also available at GuitarGreed.com, a website that deals with delivering latest, up to date news relating to guitars and reviewing popular guitar products.

Playing guitar hurts my fingers! Up what can I do for this?

Guitarists are rarely, if ever, able in this way when first starting. Many of those who want to give up just based on the toll it can take on the fingers. Many recommend that just "stuck" and let your fingers developed calluses and dexterity. But is there a way around this? Let's take a look ...

"It hurts my fingers playing guitar!" This is a common complaint among most aspiring guitarists, especially those who play acoustic guitar. For these children, the formation of strings may cause the fingers to contort to the ' unnatural ' ways, leading to cramping and other pain.

Similarly, it takes a lot of pressure to depress the strings enough to produce the right sound. Again, acoustic guitarists the worse in that sense. Feel for many aspiring guitarists that to become properly and only by developing the proper finger force is simply impossible. As a result, they never really close before they start.

And let's not forget about the skin for easy access. Pressing, slip and all forces to the toll at your disposal, often leading to burning, tenderness, and even bleeding. It's not exactly a picnic for the aspiring guitar virtuoso.

But here is the deal ...

That's just the way it is. As with anything worth to Excel, there will always be things that take you out of your comfort zone. This is how we grow, easy and simple. Just that you need to yperpidoyn the pain. Develop calluses. Pay your dues.

That said, there are some things you can do to help lessen the blow.

For example, you might try folding your hands taped bandages. Don't go overboard with this, as you don't want your mood become too fat to achieve the necessary precision chord. You may also want to apply a dab of glue on each hand, allowing it to dry before you start Rocking.

But at the end of the day, there really isn't a whole lot you can do to avoid causing a bit of pain. This is just a part of learning the guitar. You need to build your strength and muscle memory and skin hardness.

Perhaps the best advice that you can take is to start with a relatively easy chords and master them before moving to the more complex strings. There are actually tools on the market that can help you with this.

A popular product that you may want to consider is the Chordbuddy. This is a device and the DVD training program that helps to take some of the pressure off bad your fingers until you're able to play full. Check out my objective in http://www.squidoo.com/chordbuddy

Make Money Playing Guitar: 20 Characteristics of a Hireable Guitar Player

AppId is over the quota
AppId is over the quota

Marketing yourself as a guitar player goes deeper than just developing good chops. While it's obviously important to be able to impress with your playing ability, there are a number of other factors that an established band will look for when deciding to employ somebody from the outside.

In a sense, you're interviewing for a job, and in any good job interview, you'll be examined on a lot of things aside from your raw skills. It's the same when going into a situation where you'll be paid for you musical ability.

I'll lay out some of the "musical character qualities" you'll want to cultivate in preparation for an opportunity to make money playing guitar.

1. A genuine interest in music as opposed to an obsession with your own guitar playing. -- As a hired musician your ultimate interest should be in the music as a whole and the experience it provides the listener.

2. An ability to use your guitar to compliment a piece of music and not overpower it. -- Your guitar should be used to enhance the musical experience and properly decorate the songs you're playing without imposing too much volume or drowning out the other instruments.

3. The ability to sound big without using distortion. -- Distortion has its place, and no guitar player needs to disregard it entirely, but the really good players know to sound big without it. Take your cues here from the Edge of U2.

4. A willingness to underplay. -- The biggest problem I've run into playing in bands, groups and in live settings, is having people who constantly tend to (and want to) overplay. While you don't always have to fade into the background, it's usually the safer option. Underplay and let somebody else tell you to turn it up.

5. An understanding of how to properly utilize volume. -- This builds off of number four, and is pretty self explanatory. Though it could be thought of this way: A song can only handle so much noise and volume, so fight the urge to use too much of it too quick.

6. An understanding of the dynamics of a song. -- Musical dynamics are lost on a lot of players, though it's really important that a guitar player understand s them. Essentially, you need to know when to sound big, and when not too. Traditionally verses are settled down and choruses are amped up. It'll vary from song to song but this comes down to knowing the songs your playing and then applying number four and five above.

7. Familiarity with your own rig. -- A lot of guitar players are "gear junkies", basically owning and going through a lot of different guitars, a lot of amps, and a lot of effects. It may be just me, but this makes you less appealing than if you were settled into a setup that you've tweaked and gotten used to over the years. It'll make you appear more reliable from the first few conversations.

8. A genuine interest in other people. -- It has nothing to do with your guitar playing, but the ultimate goal of a band or entertainer is to provide an experience for a group of people. If you're not interested in those people, you're not going to be able to achieve that goal. Big smiles, and lots of non-guitar conversations with non-guitar people can be a big help here.

9. An ability to read an audience. -- You need to know what your audience is looking for. For example, in a gig where everybody is going to be sitting down, searing guitar solos might not be necessary. Also, what are the demographics of your audience? Younger, older? It's pretty normal practice to change your set list and volume levels based on these factors.

10. Restraint when it comes to "idle" jamming. -- When you're trying to get a song together as a group, there is nothing more frustrating and ultimately counterproductive than when one or two people are continuously producing idle noise with their instruments. Avoid this tendency as much as you can. I'll admit, it's tough, but make every effort to keep quiet until it's time to play. Warm up alone if you can, or with headphones and then get your patience on.

11. Willingness to receive instructions. -- Sometimes the guitarist and "front man" can be one and the same, but if you're not the guy leading the group, be willing to take instructions and constructive criticism. If it irritates you, that'll show and make you seem like a less reliable player, even if you're a great guitarist.

12. The ability to utilize effects. -- While you can overuse them (especially distortion) effects are extremely helpful, especially in a live setting. Knowing how to properly utilize them can make the difference between a good and bad song. This all has to happen ahead of time, but it's a good idea to optimize every song on the set list individually with the effects you're going to use.

13. An adaptive playing style. -- You need to have some dynamic abilities when it comes to playing style, and be able to adapt to a prospective band's gameplan and genre. If you can't move between playing styles, you're going to have a hard time fitting in.

14. Be able to make them sound better. -- A band who hires you, or a group that gives you a share of their gig money is looking for one thing out of a guitarist, and it's to have their sound improved. You're not there to showcase your great playing, you're there to make that group sound better. Make it evident that your mind is focused on that goal.

15. A habit of knowing your music ahead of time. -- This might sound pretty basic, but in my experience, almost no one makes it a point to do this. If you can listen to the songs you'll be playing and get a game plan in place even before practice, it'll serve to boost your work ethic and credibility, and improve your band's overall productivity.

16. A working knowledge of all parts of the music you'll be playing. -- A familiarity with bass, drums, piano and vocals is really important when working in a group where all those things are going on. That's not to say that you need to be able to play all those instruments, but at least learn the structure they're leaning on. Know what the count of the song is, the bass line, the melody, and just keep it in mind. The more you know, the better.

17. A personal connection. -- I still maintain that some of the most important parts of being successful as a guitarist, have little or nothing to do with your guitar at all. Keep this in mind; a lot of people can play guitar. Just about every guy on earth gives it a shot at one time or another. What makes a guitarist successful is his ability to develop a personal connection with people. This means getting to know your band and your audience and developing relationships. If you do that well, you won't have to look for opportunities to play.

18. A focus on your musical niche. -- While a wide cultural music experience is fine, you ultimately want to be good at what you do, and not "just OK" at a bunch of different things. If the rhythm guitar playing of alternative rock is really your thing, listen to music that showcases that and focus on that part of your playing. If there's an alternative group that needs a rhythm guitarist, you'll be a step ahead of the competition.

19. An understanding of the difference between rhythm and lead guitar. -- Again, this might sound basic, but you really need to get the difference and the dynamics between these two categories as they are the two main streams of today's modern guitarist. The linked number 19 title is to an extensive article I wrote on the topic.

20. Knowing when to solo, and when not to solo. -- Guitar solos can either make you look really great, or really stupid. First of all, you need to be aware that guitar soloing today isn't what it was back in the 80s. Post Kurt Cobain guitar solos are very different, and whether or not you like what he did to the guitar solo, it's something you need to be aware of. Single well placed notes and effects are the standard of our day, and basically, less is more. The lightning fast shredding of past decades of rock and roll aren't going to get you very far today, unless your name is Steve Vai or Joe Satriani.

Robert Kittleberger is the founder and editor of guitarchalk.com. You can visit the site at http://www.guitarchalk.com/ and follow Robert on Twitter @guitarchalk.